Laudable Linkage

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I have kind of a longish list today, but found all of these noteworthy or thought-provoking in some way. Hope you find something you like!

Where Is God in a Mass Shooting? HT to True Woman.

Letter to a Church Member (Or a Letter to Myself). “Your church is here, not to give you a good self-image, but to give you a true self-image.”

Exegesis Without Embarrassment, HT to Challies. The first of a series dealing with why God would command the destruction of the Canaanites.

Ten Things You Should Know About Temptation, HT to Challies.

God Is With You in Your Panic Attack.

Let’s Get Real About Women’s Discipleship, HT toChallies. “If Instagram is any clue, most Christian women think discipleship is limited to hosting thoughtfully curated Bible studies in tasteful homes where shrieking children and dirty dishes don’t exist. This glossy ideal sits like a yoke on many women’s shoulders rather than spurring them onward in Christ’s Great Commission.”

The Holiness of Small Things.

Worship Isn’t About Feelings, HT to Challies. “Sometimes I serve my neighbor out of obedience to Christ, and love for Christ follows. Sometimes I am filled with love for Christ, such that I look for an opportunity serve my neighbor.

When You Don’t Need God’s Guidance, HT to True Woman. “We don’t need to seek guidance where guidance has already been revealed in Scripture. How easy it is to convince ourselves we’re “confused” about what we should do when we’re reluctant to do what we know is right. It helps us feel better to label questions of morality “complicated” when they require us to pick up a cross or suffer rejection. The serpent’s ancient whisper—Did God really say?—trips off the tongue when God’s commands are costly.”

Heroes, Hagiography, and Villainy. I’ve been thinking for some time now about writing a post concerning flawed heroes. This says some of the things I have been thinking.

Four Reasons to Read Slowly. “The Information Age isn’t slowing us down, but subtly and constantly pressuring us to speed up. As we browse, surf, and scroll, we’re training ourselves to quickly see new facts and then look for the next figures, rather than feel the weight of what we read.”

Advice for Reading the Bible when a learning disability makes it hard.

Benny Hinn Is My Uncle, But Prosperity Preaching Isn’t For Me.

Theological imagination.

I Stopped Praising My Kids for a Week: This Is What I Learned, HT to Story Warren.

Some years ago I was wandering around the local library’s video collection looking for something to watch and saw the 10th anniversary production of Les Miserables. I decided to get it and see what all the fuss was about – and that started a love affair with the musical and then the book. Since the particular singers there were the first I heard, and though I have seen some wonderful clips of a variety of singers singing some of the songs, this cast will always embody the characters for me. Recently I stumbled across this video of Philip Quast, who played Inspector Javert, telling how he approached one of the solos. I had no idea such thought and intention was involved behind every word. In the song he’s discussing, Javert has just had an encounter with ValJean, the man he has been trailing all his adult life. ValJean has just carried a wounded Marius through the sewer system when he runs into Javert and begs Javert to let him see Marius to safety. Previously ValJean had held Javert’s life in his hands, and let him go. Javert can’t compute this: he upholds righteousness and The Law, and in his mind, once you’ve fallen, there is no mercy or grace. “Once a con, always a con” is his mindset. So how can it be that this man no longer acts like a con and even shows mercy and compassion?  I’ll post the video of this song from the musical after this interview:

A couple of other things I love about this: Javert’s previous solo was about the comfort he found in the stars as “sentinels” of God’s order in the world. But here, “the stars are black and cold.” Also, there is so much parallelism between this song and Valjeans’s soliloquy when when the bishop shows him an undeserved kindness: the same tune there and here, similar phrasing about “allowing this man” to have an influence, an offer of freedom, “I am reaching, but I fall…,” escaping the world of Jean ValJean, but in two different ways. Although ValJean had to wrestle with it, he accepted the bishop’s grace. Javert either thought he didn’t need it, since he was always in the right in his own eyes, or he couldn’t accept it from this man. When his entire worldview was turned on its ear, instead of adjusting, he could only escape. Grace accepted saves and changes a person. Grace rejected leaves one out in the cold darkness.

 

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